My practice explores the relationships between nature and photography, between perception and the experience of the visible. Through experimentation with analogue and alternative processes, I question the ways images are made and the conditions through which they are read, while opening up other forms of attention to the living world, sensitive to its transformations, its fragilities and the traces it leaves within the image.

My work draws on fragments from my everyday environment: plant life, landscapes, traces and textures that I collect, observe and recompose. By creating shifts between the subject and its referent, I approach photography not only as a means of recording, but also as a surface of transformation.

Through manipulations, imprints, unstable scans and various photographic recording and development processes, I am interested in what settles, shifts, alters or resists within the image. Between appearance and disappearance, legibility and ambiguity, my works seek less to fix reality than to bring forth sensitive and unstable forms, marked by light, gesture, contact with materials and the alteration of the different supports I use.

My works become poetic spaces where time and surfaces offer sites of encounter between reality and imagination, the visible and the absent. They open up a field of experience in which the image, far from remaining fixed, continues to be shaped by alteration, memory and becoming.